My work as a reviewer for the Review Review continues with a review of Rock & Sling.
Read “Faith-Oriented Lit Mag Explores ‘Boundaries of What We Know to Be True'” here.
My work as a reviewer for the Review Review continues with a review of Rock & Sling.
Read “Faith-Oriented Lit Mag Explores ‘Boundaries of What We Know to Be True'” here.
I am beyond thrilled to announce that I am working with Taylor Brorby on a new Ice Cube Press anthology, Fracture: Essays, Poems, and Stories on Fracking in America.
Taylor and I are currently seeking new writing that considers the implications of fracking. Submissions are open until June 1, 2015.
Guidelines on the publisher’s website.
Last week, Lance and I celebrated the release of Prairie Gold with the good people of Ames. Four of our talented contributors (Michelle Donahue, Rachel Lopez, Claire Kruesel, and Meghan Brown) read their work, so many people came out that at one point we were standing room only, delicious refreshments courtesy of a 2014 AgArts Local Wonders grant were enjoyed by all, and our dedicated audience stuck around long after the event ended (9:00 on a Friday night, mind you) to discuss literature. Plus, we sold a bunch of books.
In sum, our first Prairie Gold event was a great success!
The College of Design was wonderful enough to loan us their amazing downtown space for the night. It’s great to be fostering connections between the literary and visual arts. Here’s our event in a news release published by the College of Design: Book Release Party Marks Start of ISU Design on Main Gallery’s Fall Programming Aug. 29.
(Psst! Follow us on Facebook to make sure you don’t miss updates about the rest of the stops on our book tour. Oh, and invite your friends to follow us on Facebook too. We’re so close to 500 likes, we can already taste it. It tastes like love.)
I grew up in Western Michigan, the youngest of three daughters. We didn’t have a lot of money for extras, but my mom could never say no if my sisters or I asked her to buy a book. “Do you need it?” she would always ask, and when we said yes, she never tried to tell us otherwise.
In the past 25-ish years since I learned to read, a lot of things have changed, but the way I feel about books—the way I need books—hasn’t. I’m not just referring to stories and the pleasures of reading but the books themselves, the physical artifacts that contain the stories and endure long after you’ve forgotten what they were about.
And though I have always had a great appreciation for libraries and used bookstores, there is something extra special about a brand new book: the unscuffed cover, the cleanness of the pages, the spine that I will try to keep uncracked for as long as possible. Inevitably, there comes a time with every good book that I realize I need to mutilate it—by folding the corner of a page, writing a note to myself, or underlining a memorable passage—and though I recognize the value of such interactions with the text, especially as a writer, I do not take the decision to first desecrate a book lightly.
Read the rest of “To Make a Book” on the Ice Cube Press blog.