Yesterday, Michigan Radio featured an interview with me and Fracture contributor Maryann Lesert on their Stateside program. We discussed fracking, the book, and our upcoming events in northern Lower Michigan. Listen here.
Fracture officially released February 14, and there has been a lot of great media coverage of the book since then, including a review in Flyway: Journal of Writing and Environment, an interview in Orion Magazine, and conversations with public radio.
One recent article we’re excited about is an online review by Thomas Fate for the Chicago Tribune. Here’s an excerpt:
Fracture includes a wide variety of voices and thinking, which is what keeps the book from slipping into what anthologies of social critique can become — cycles of guilt-laden lament, where the language of the activist overwhelms the language of the artist. In Fracture these two viewpoints somehow converge rather than compete, resulting in an innovative and compelling weave of writers who both educate and inspire.
Fracture will also be featured in their Sunday edition.
Another recent article worth calling out is by Adam Burke for Little Village magazine. In addition to promoting tomorrow’s reading at Prairie Lights, Burke sought to understand the significance of the book through the experiences of the editors and contributors. He interviewed both Taylor and me, plus three of our contributors, beautifully illustrating the range of perspectives and motivations you’ll find in Fracture.
“Bringing a book like Fracture into the world is important because our society needs to cultivate healthy, productive ways to talk about big contentious issues like hydraulic fracturing,” Trout said, adding, “We have not attempted to represent every side of the issue, but we have aimed to provide context for conversations about fracking and to illustrate just how complicated the issue is.”
Ice Cube Press frequently updates this page with links to reviews and local and national media reporting on the book.
Fracture features the voices of more than fifty writers. Preview two of them—Debra Marquart and Frederick L. Kirschenmann—in our second book trailer.
We are less than two weeks from our official release date, and those of us who have had the privilege of working on the book are thrilled to share Fracture with the rest of the world.
Enjoy this trailer by videographer extraordinaire Ana Hurtado and my co-editor, Taylor Brorby:
And now get yourself over to Ice Cube Press to order yourself a copy!
This volume was no doubt a massive undertaking, and the effort has paid off. It will interest anyone who sees who they are as a product of where they are, and will especially appeal to those who sometimes feel that, in the words of Bakopolous, it is “almost too beautiful to bear that rolling countryside without a notebook and pen in hand.”
Pick up a copy of the latest Wapsipinicon Almanac (No. 21) to read more of what Tad Boehmer had to say in his review of Prairie Gold: An Anthology of the American Heartland.
Also in that issue, check out Robert Leonard’s essay, “Iowa: ‘Land of Enchantment’ – A Literary Manifesto,” in which he discusses Iowa’s cultural narratives and how Ice Cube Press “has done more than any in the past couple of decades in publishing books about Iowa, many of them by Iowans.”
First of all, I want to say thank you to Monica Hadley and Caroline Kilbourn at 100.1 FM, KRUU-LP in Fairfield, Iowa, for having Lance and me on the show this past Friday. It was both of our first time on talk radio, and we had a lot of fun talking about Prairie Gold with the mother/daughter duo. Thanks also to Monica for mentioning us on her blog.
If you missed the live broadcast, which also included me reading an excerpt from my nonfiction essay “Letters After Achilles,” they’ll be re-airing it Monday (tomorrow) morning at 8:00 CST. You can listen live on their website.
If that’s just not going to work for you (because you’ll be at work, say, and you’re a responsible employee who stays on task), they’ll be archiving it on Writers’ Voices, so check back there at a later date.
I do want to take the opportunity to make a couple minor corrections to my bio, which has changed since the final draft of Prairie Gold was sent to the printers. While I very much enjoyed my two years as an undergraduate English instructor at ISU, as of May 2014 I’ve (temporarily) hung up my teaching hat and have been trying my hand in a new field: multimedia communications. As the Leopold Center for Sustainable Agriculture‘s communications assistant, I write news releases and feature stories, manage their social media, post updates on their website, design publications like their quarterly newsletter, and other fun stuff like helping produce a video for STRIPS, a cutting edge sustainable agriculture practice.
Likewise, I am no longer the nonfiction or social media editor for Flyway: Journal of Writing and Environment. In order to give all of ISU’s Creative Writing and Environment graduate students the opportunity to serve on the editorial staff, Flyway positions are one-year appointments. I want to make sure credit for all of the wonderful work Flyway is currently doing goes to the right people: Adam Wright is now the nonfiction editor, and Erin Schmiel has taken over social media.
Of course, you can always find the most up-to-date information about what I’m up to on my Bio/Home page.