It’s October now. Leaves are changing, the temperature is cooling, my wind chime is getting noisier. At the same time, there have been developments in my personal and professional life. Here are some updates from the latter:
New Pubs
I’m honored to have had not just one, not even two, but three pieces published in the October 2014 issue of Festival Writer. Check out the issue here and then click on my name to view all three of my contributions. These pieces tend to resist easy genre classification. This is how I would describe them:
“Baconer” is a prose poem (with formatting) about factory farming, from the perspective of a pig in a CAFO. Please note that this poem uses plenty of profanity and unpleasant imagery. That doesn’t mean you shouldn’t read it, but I think it’s important to know what you’re getting into.
“First Beard” is a nonfiction vignette about my dad, and “Performance Review” is micro fiction. They are so short, I better not say anything else about them (Spoilers!) except that I hope you enjoy reading them.
Upcoming Prairie Gold Readings
As mentioned in a previous post, our Midwestern book tour of Prairie Gold: An Anthology of the American Heartland will include two October events: one at the Rozz-Tox in Rock Island, Illinois, (Quad Cites area) on October 9 and one at Prairie Lights in Iowa City on October 16. Details:
Thursday, October 9, 2014 – SPECTRA Reading
8:00 pm – Rozz-Tox – Rock Island, Illinois
Our Quad Cities reading will feature fiction by T.C. Jones and Barbara Harroun as well as poetry by Esteban Colon, Salvatore Marici, and Ryan Collins. Part of the Midwest Writing Center’s SPECTRA Reading Series, the event will also include readings by featured poets Lauren Haldeman and Erin Keane. Check out the Facebook event page for more details.
Thursday, October 16, 2014 – Reading
Our Iowa City reading will feature nonfiction by Will Jennings and Meghan Brown, fiction by Barbara Harroun, and poetry by Salvatore Marici. Check out the event page for more details.
Video Debut
Since I switched from teaching English 150/250 at Iowa State University to my current position as a communications research assistant at the Leopold Center for Sustainable Agriculture (also at ISU), I have been involved in a lot of cool multimedia projects. My job includes writing news releases and articles, updating the Center’s website, managing our social media, publication design, and video production. That last piece is such new and exciting territory for me, and I’m thrilled to share the final version of “STRIPS the Movie” (not the official title), a 13-minute video on the conservation practice of prairie strips that was four months in the making. It premiered at the 2014 Extension Energy and Environment conference in Ames and was followed by a Q & A with the researchers. Now that the feature documentary is done, we are in the process of using the extra interview footage to make a series of video shorts that will, among other things, help introduce a broader audience to the STRIPS project.
Goodreads
Our Goodreads Giveaway is still going on. Five free copies of Prairie Gold are up for grabs! The contest closes October 31. Details here.
If you already own the book and are on Goodreads, please take a moment to add it to your shelf, which you can do here. It helps us out when, after reading the book, our fans take the time to rate it, review it, and vote for it on relevant lists. (Contributors: Goodreads recommends that authors write a brief note on the inspiration for the piece in lieu of a review.)
Also, as part of having a book out, I’ve converted my personal Goodreads page into an author profile. It’s the same as before but with a few extra features, like the ability to have “fans” in addition to friends. I only have two fans so far! If you are on Goodreads and a fan of my work, please visit my author profile to make it official. (Lance needs more fans too. Here’s his author profile.)
I have lots of other exciting news I’d love to share, but I’m going to keep my beak buttoned for just a little while longer until details are finalized. So that’s all for now. Thanks for reading!
This volume was no doubt a massive undertaking, and the effort has paid off. It will interest anyone who sees who they are as a product of where they are, and will especially appeal to those who sometimes feel that, in the words of Bakopolous, it is “almost too beautiful to bear that rolling countryside without a notebook and pen in hand.”
Stefanie Brook Trout 